Experiencing London and its architecture... a slice through its architectural history: what is now, in context.

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• LondonTour
  Click on the above arrows to take a tour backwards through time and you will get an idea of how London's streets give you some 1000 years of history. You won't find this in neat pockets, but intermixed – and this means that getting about and finding places is invariably an exercise in meeting something unexpected. Our aim is to help you define your own kind of London by exploring its architecture – the delightful and good, the ugly and bad, the new and the old. The new architecture is from notable London architects such as Foster and Rogers, as well as Grimshaw, Parry, Allies & Morrison and others. But you will also find international names such as OMA, Herzog & de Meuron, Nouvel and Piano. And, right next door to many of these works, you will find buildings of note by now forgotten architects. Flip through these pages to touch upon the principal periods.
• ad-logo3
  London now is an unusual mix of the new and the old, of ethnic variety intermixed into English traditions, of former villages absorbed into a metropolis. And yet London's urban order is simple, layered and easy to understand once it is pointed out. However, on the surface it can appear as disorderly as it is unique. Most visitors never get beyond the West End of palaces, shops, theatres and galleries. But there is much more to London, especially if you want to experience its current vitality and newer building. This content is not 'hidden' except in the sense that, as in any metropolis, its places and spaces are a mix of the public, the private and the privileged. In searching out quality architecture AD seeks to also disclose this other London to you: places, buildings, people ...
• london now_1
  London now has buildings such as the Gherkin and Broadgate Tower, with others now coming out of the ground such as a building by Nouvel, at St Paul's – or, on a different keynote changes to the galleries at London's museums, such as the medieval gallery at the V&A. But the works that best capture what is going on belong to housing, education and health. For example, David Adjaye's idea Store in Whitechapel, AHMM's Westminster Academy of dRMM's Wansey Road housing. As always, the overall picture is very mixed – the last thing you will find in London is consistency (except, that is, in its inconsistency). But this is what makes it so interesting: architecture that complements a rich ethnic and cultural diversity.
• Lloyds_1
  The Lloyds '86 building remains one of London's most iconic works and a monument to the Po-Mo / Hi-tech struggles of the '70s and '80s. The building has now been complemented by two neighbours designed by the office of Lord Norman Foster: the Willis building and 30 St Mary Axe (aka the Gherkin). In turn, the stories behind these recent high buildings are part of changes over the last 25 years, since banking deregulation in the mid-1980s – since when buildings in the City have got taller and taller even while the City has burst its historic boundaries and introverted conventions that characterise most of its history (extrovert with regard to a global vision of making profit; significantly more introverted and conservative with regard to its administrative role in London and protecting its interests. Where these tall buildings are located has much to do with – ‘viewing corridors’ to St Paul’s Cathedral, lending a peculiar contemporary planning relevancy to a building completed over 300 years ago.
• National_G-_stair
  Post-Modernism and beyond. The later 1980's were a boom period in British architecture – one characterised by the famous Post-Modern / High-Tech debates. The former approach to architecture is best seen in the works of Terry Farrell (such as Alban Gate and the current MTV building in Camden), but the enthusiast is encouraged to go to the work of one of the fathers of Po-Mo: the Sainsbury Wing of the National Gallery, by Venturi (it gets better with time!).
• Keeling_6
  Work of the '60s and '70s was dominated by social housing and the contrasting work of so-called 'commercial' architects such as Richard Seifert. The outstanding architect of the period is Denys Lasdun, who worked with Tecton as a young man and designed the Keeling and Sulkin blocks of social housing in the East End at about the same time that he designed a notable block of private housing just off St James'. (Ironically, Keeling is now private.) Lasdun was also responsible for what remains as one of the most notable buildings of the period: the National Theatre. Perhaps his best work is the Royal College of Physicians building in Regents' Park. Other notable architects of this period include Sir Basil Spence, YRM, the Smithsons (especially their Economist Group, Chamberlin Powell & Bon (the Barbican), Patrick Hodgkinson (the Brunswick centre), Colin St John Wilson (the British Library), Eric Lyons (Span housing in south-east London), Darbourne & Darke (the Lillington Gardens estate, near to the Tate Britain), and Gollins Melvin & Ward (buildings in the City).
• RFH
  Post-war optimism. Like WWI, WWII changed many social attitudes and resulted in an outburst of optimism that was called the 1951 Festival of Britain. Deliberately Modernist (in a rather Scandinavian manner) the impressive complex has left us only one building: the Royal Festival Hall, refurbished by Allies & Morrison and re-opened in 2008. The complex, of which it is a part, is called the Southbank and is largely a product of the 1960's and exhibiting a different kind of enthusiasm for Brutalist concrete. Adjacent to the complex is the addition to the Hungerford Bridge, and the London Eye – which, together, sum up the last 60 years of London architecture in one location.
• St-Judes
  The major figure in British Architecture before the First World war was Edwin Lutyens. He had made his name doing remarkable, free style country houses but as his fame spread and he received city centre works, he shifted to a neo-Classical style that was labelled 'Wrenaissance'. His output was huge, but perhaps two of the most notable London buildings are a church in the new Hampstead Garden suburb - serviced by the Northern Line Underground line – and a literally memorable work at the heart of Westminster: the Cenotaph memorial to the dead of the War. The church is St Judes (Hampstead Garden Suburb) - not special on the outside, but revealing the wit of Lutyens on the interior. (The church is now adjacent to a recent Michael Hopkins school building.) In contrast, the Cenotaph bears esoteric geometric pretensions that far out-scale the actual physical presence of the work. But there is something about it that has, from its completion in 1919 to today, made it one of the most popular work in the country.
• Queen-Anne-Style
  A neglected interlude. The inventor of the so-called Queen Anne style that was so fashionable in the latter part of the C19th was Norman Shaw (1831-1912). His red-brick housing work is best seen in Knightsbridge, but its derivatives are all over London, particularly as blocks of apartments constructed from about 1880-1910. That period – when the Empire was arguably at its height – gave London some remarkable architecture that gradually became more baroque. Other architects of this period included men such as Webb, Godwin, Ernest George, Newton, Ashbee, Waterhouse, Bentley and others – mostly now forgotten.
• Royal-Courts-of-Justice
  The mid C19th is epitomised by buildings such as the Royal Courts of Justice, on the Strand, and All Saints church, off Oxford Street. The courts (1871-82), by George Street (1824-81), are on the same scale as the Palace of Westminster, and in the spirit of Butterfield's work, but was on a budget that will draw the empathy of contemporary architects suffering such constraints. Like Parliament, the plan is essentially classical, but given a Gothic dress. William Butterfield (1814-1900) exhibited wonderful planning skills at All Saints (1858), and also gave us an exhilarating interior.
• Nash-terrace
  London has no grand urban schemes that compare with the likes of Paris, but it does possess one quite amazing speculative work from between about 1812-30 that is quite marvellous – carving a 'royal mile' from the Mall to the royal park that lay much to the north, alongside the Regent's Canal that wound its way from the East End docks to west London and the north of England. Between these two focal points lies what is now Regent Street and Portland Place. Most of the original architecture has gone, but the terraces designed by John Nash (1752-1835) at Regent's Park remain. Originally, the park was to be filled with grand villas. It didn't happen, but five recent neo-Classical villas designed by Quinlan Terry now complement Modernism to be found in London Zoo and the splendours of Sir Denys Lasdun's work for the Royal College of Physicians.
• Somerset-Hse
  The Rule of Taste. By the late C18th Great Britain already had a burgeoning empire and needed buildings in London to fit its role. The first major public building was Somerset House (1776-1801) by Sir William Chambers (1722-96) – a marvellous compound of 'town houses' and courtyards, now housing museums, galleries, etc. – scene of winter ice-skating rinks and summer fountains. It was in this period that Burlington House (the Royal Academy) and Chiswick House were constructed.
• Wren
  Wren’s St Paul's Cathedral was officially completed by 1710 – just after England and Scotland were joined together by an Act of Union and a period began when this small island became the heart of the world's largest empire. Ironically, St Paul's – which remained London's tallest building until 1962 – was already in a style ill-suited to the temperament of this new era and one has to look to churches such as St Martins-in-the-Fields in order to savour the spirit of something more refined that was to typify a period characterised by the so-called Rule of Taste. During the early C17th, whilst neo-Palladianism emerged, London saw the construction of notable Baroque works by Nicholas Hawksmoor. Two of these – Christchurch and St George's, Bloomsbury – have been restored. The most idiosyncratic – St Mary Woolnoth – sits quietly among the notable grouping of buildings at Bank, in the City.
• CG_St-Paul's
  The beginnings of architecture as we know it: St Paul’s Covent Garden (a marvellously theatrical design), and the northern colonnade of the square, marking the beginnings of ‘regular’ street architecture in London, designed Inigo Jones (1573-1652), arguably the first architect who is recognisably modern. There are only five surviving London buildings designed by Jones: the Queen's house, the Banqueting House, the Queen Mary Chapel, Lindsey House and St Paul's in Covent Garden (completed in 1633). The latter is perhaps the most intriguing because it is distinctly peculiar and, to gain the King's permission, a local landowner had Jones foisted upon him as architect. The developer asked for consideration: only a barn-like building was required. Then, said Jones, you shall have the finest barn in England.
• Staples-Inn
  The oldest. You will have to search hard to find anything much of medieval London and this building at Chancery Lane (an area of lawyers, on the edge of the City) is about as close as one can get to the character of London buildings at the time that Inigo Jones – patronised by Charles I – introduced his radical, neo-Palladian and 'regular' style of European architecture to what was then a city of about 200,000 (1600) and growing to 350,000 (1650). Most of these people lived in or around the old Roman walls, in what is now the City of London. This kind of ‘half-timbered’ construction characterised the whole of London and its suburbs, even as Jones designed the Banqueting House in Whitehall that was intended to be the first part of a grand palace. Since the context of the latter has utterly changed, it is difficult to realise how radical it once was. The other aged location is the Tower of London, begun not longer after the Norman conquest of 1066.
• St-Barts
  St Bart's is one of London's delights – and again a rare example of architecture from the later Middle Ages. Its fabric was constructed between 1123 and 1543, when half of it was demolished by Henry VIII. What we see now is the remaining parts as restored around 1900 as a fascinating mix of architectural styles and perhaps the most romantic architectural edifice in the capital. The church is adjacent to Smithfield Market, London's traditional meat market and is a part of the Clerkenwell are that houses the offices of many architects, interior designers, furniture companies, etc. The Barbican and Exmouth Market are also nearby.

For further information, inquiries and quotations please contact: lrobinson@architecturaldialogue.co.uk

News about recent buildings ...

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• News
  Click on the arrows in order to move to pages with news about recent London buildings of note.
• New-2
  New-2
  2011 sees Renzo Piano's Shard rearing up 310m high, above the recent Heron Tower (KPF). He also has the Central St Giles development. Rem Koolhaas has completed a building for Rothschilds and Jean Nouvel has one adjacent to St Paul's Cathedral. The Rogers' office has One Hyde Park (penthouses at about £140m each). Foster has an office buildng at Bank, in the City, and the Olympics Park is racing toward a key stage of completion (ncluding Hadid's Aquatics centre and the velodrome by Michael Hopkins). Other recent works include a school by Zaha Hadid – her first building in London – and some smaller gallery spaces in south London by 6A. Amanda Levete has an unusual (if small) facade off Oxford St; nearby, Squires has a nice facade to their Reiss shop. Maccreanor Lavington have the H10 hotel (there are lots of new hotels in London!)....etc. Click on the images for further information (in construction).
• New-4
  Thomas Heatherwick – one of London's brightest designers has a clever stainless stell wrap around some hospital plant just adjacent to the Shard (1). meanwhile, although the schools programme has come to a halt, there is (among quite a few schools) the interseting timber-framed Northbury school in Barking (2) by Greenhill Jenner and the King Solomon Academy (4) by Ian Ritchie. The latter was a famous 1960 school designed by Leonard Manasseh. Out west, in the grounds of Lord Burlington's wonderful neo-Palladian exercise, Chiswick House, is a new cafe addition by Caruso St John. Grimshaw has a new City office block at St Botolphs's (5) and a new tower called the Heron Tower, by Kohn Pedersen Fox (6).
• Shard
  Shard
  The 2012 Olympics has been getting all the press for some time now, but it is Renzo Piano's Shard, at London bridge, that is more likely to be in the limelight over the next few years. It belongs to that peculiar category of 'mixed-use' that, instead of being spread about a city block, is constrained into a tower block: shops, offices, aparments and even a public viewing deck. This will be the tallest building in the UK and perhaps in Europe.
• Olympics
  London is getting excited about the 2012 Olympic games (area in yellow, top right) and the construction of its three principal venues: the Stadium, by Populous; the Velodrome, by Hopkins; and the Aquatic stadium, by Hadid. It's all surprisingly close to the heart of London. But instead of getting a train to Stratford Station why not experience the Games in context? Take the walk with a from a convenient Underground station, along the canal to the Olympic site, a visit to the ViewTube cafe, and then onto the DLR to other areas and a return to central London ... or take the train to somewhere you can pick up a boat straight back into central London.

For further information, inquiries and quotations please contact: lrobinson@architecturaldialogue.co.uk

London Slices ... some ideas for approaching London's architecture ...

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• Kenatcorner2
  The simplest way to benefit from Architectural Dialogue is to decide upon simple commitments. A half-day tour can show you some key projects. A full-day allows much more scope. The cheapest option is to use public transport. This also gives you a feel for London – which is possibly why you want to be there. However, a coach or people-carrier enables a group to get about over larger distances. At its most simple choose a half-day, with public transport and as a general tour - trust us to make it enjoyable and informative. Let us know if you are happy to leave matters to us, whether you prefer contemporary, modern of historical architecture – or simply good architectural quality, from whatever historical period. For any special requirements and internal visits please talk to us and we can advise you on what is possible.
• coat-hanger
  There are many ways to approach experiencing London and its architecture. The easiest option is simply to tell us of your interests and leave the rest to us – we will then make suggestions. Many visitors want to know about London's vitality – meaning its most recent buildings. Some want to touch upon its character – meaning older buildings, contrasts, social settings and the like. Some have very specific learning interests, such as schools or office interiors. Others only want to see the buildings of well-publicised architects. It all comes down to places, spaces, buildings. Selecting a theme can be useful because it becomes 'a coat hanger' on which to, more or less loosely, hang an itinerary. Whatever you do London itself will always be the framework and context of your visit.
• Square Mile
  City Tour. Do not be put off by a description of the City as London’s financial district – a place of some 300,000 office workers and only about 12,000 inhabitants. In fact, the City is not only London’s true historic core, but a ‘square mile’ that is richer in good architecture than any part of London. You can discover its mix of history and modernity in many different ways, but it is especially delightful to be able to wander in and out of the backlands, discovering its contrasts, high-lights and more quiet and hidden corners. History is not only Wren churches (mostly only open during weekdays) and old parts of the Roman and medieval walls, but the central area street pattern, where many of the old alleyways still survive. Modernity is everywhere, representing a strong dynamic of constant change. In between are quiet corners and small parks. Around the fringes are areas of a completely different character. It is easy to spend all day here. This is our favourite tour.
• West end tour
  West End Tour: The ‘West End’ only has meaning in relation to the ‘East End’ and ‘the Square Mile’ (of the City) and is an area whose character is largely the result of aristocratic land speculation from the late C17th and throughout the C18th to the beginning of the reign of Queen Victoria in 1836 (just about the time the railways began to force their way deep into London during the remainder of the C19th). The background to its development includes what has been characterised as ‘the rule of taste’, resulting in a homogeneity to the ‘Georgian’ terraces and squares that were the typology of new West End developments: Lincoln’s Inn, Covent Garden, St James’ Square and the rest – up to the ‘royal mile’ that stretched from the Regent’s Park, down the current Regent Street to the Mall. This is not only the district of royalty and government, but of theatre and other entertainments, of museums and galleries.
• Two historic cores
  Two Poles Tour: There are two, twinned historic poles to London: the City of London (the financial district, or Square Mile); and the Westminster government area. The City is London is most historic heart and is a marvellous mix of history and modernity, with tall office buildings epitomising the latter and the Wren churches (particularly St Paul’s Cathedral) epitomising the former. Westminster has the government, the civil service, the monarch housed in Buckingham Palace, and Westminster Abbey, founded in the seventh century. Making sense of these two areas – and the inbetween areas – can make a fascinating tour that defines contemporaneity as a mix of old and new, so long as it is a living part of the London metropolis. This tour is a ‘slice’ through these districts, beginning in its governmental heartland and stretching itself through the Holborn area to the outer fringes of the City (and, if time, into the former Docklands).
• Olympics area
  Olympics 2012 Tour. With only a short time to go before the 2012 London Olympics begin there is a mounting curiousity. Architectural Dialogue can provide an architect-lead guided tour to those areas from which you can obtain an excellent view of the site. We shall then add to this taking you to other places in the area in order to provide the overall story of some 35 years of East End regeneration which is both the context of the Games and there ostensible raison d'etre in London: a legacy contribution to the area. We can do this tour by public transport or by coach, either as a half-day tour or extending this into a tour adding in other architectural projects in this part of London.
• Docklands regeneration
  Docklands Regeneration Tour. The regeneration of east London’s former dock areas that has now been going on for some thirty to forty years – and will probably take another generation to complete as a transformation of the working basis to London’s wealth. The River Thames was once the life-blood of the metropolis and the basis of its trading wealth, epitomised by its docks and associated warehousing, nearby factories, etc. When the docks closed around onward 1970 – killed off by containerisation – London was left with massive social and physical problems. How the area is being transformed can be discovered by exploring its manifold architectural changes.
• Classics tour
  Classics Tour. Why not try a tour of London's Modernist classics? This could include: the Daily Express (Owen Williams); Trellick Tower and Willow Road (Erno Goldfinger); Highpoint and Finsbury Health Centre (Lubetkin & Tecton); the Royal Festival Hall (LCC); the Economist group (Peter & Alison Smithson); the Royal College of Physicians and the National Theatre (Denys Lasdun); Brunswick Centre (Patrick Hodgkinson); the Media Centre at Lords (Future Systems); Lloyds '86 building (Richard Rogers) and the Gherkin (Norman Foster). Or you may have your own private list of quality works from this period.
• Contrasts tour
  Contrasts Tour. London is a mixed metropolis – architecturally, culturally, ethnically. These two buildings epitomise these contrasts: Foster's 'Gherkin' for City traders, and one of the twelve remaining black cab drivers' shelters, provided charitably at the end of the C19th. This tour will mix the architecture and the culture, offering contrasts that show architecture as a vibrant and vital aspect of London, especially in places on the edges of more known parts of the city.
• Foster and Rogers tour
  Foster + Rogers Tour. Fans of Norman Foster's work will enjoy this tour – from his studios in Battersea to the Sackler Galleries, the British Museum Great Court, and his work in the city area including More London and the Gherkin, as well as lesser known works such as those near Wood Street and at Tower Hill. The work of Rogers ranges from the recent Maggie centre, the Chiswick Business centre, the Lloyds '86 building and Lloyds Registry of Shipping, 88 Wood Street, 15 Broadwick in Soho, Channel Four, K2 at Tower Bridge, to Terminal Five and other works. Michael and Patty Hopkins have the Mound Stand at Lords cricket ground, the David Mellor building in Butlers Wharf, Bracken House in the City, the Gibbs building for the Wellcome trust, the Inn on the Part (St James) and others. You will see works by many other London architects en route.
• An Urbanistic-approach
  An Urbanistic Tour. Why not start with London and then see individual buildings in context, in different areas? Ask us to help you explore the character of the London metropolis, taking you here and there and finding one or two good recent buildings to find in each location (or older buildings if that is what you prefer). Let's use public transport and find out about London's streets. There are all kind of ways to do this: villages, parks, changing areas, established areas..... Try Richmond and Croydon and Barking and Dulwich and Peckham and Highgate .... Ride bikes, walk canals, take buses (London has a very good bus service).
• feetfirst2
  Walking Tour. Why not see architecture a different way? London is not just the West End, the City and the former Docklands. Why not come to London simply to walk? Bring your hiking boots, go to http://walklondon.org.uk/walk_finder.asp, and off you go. For example, walk from Camden Lock (where the famous market is)m all the way to the Olympic site. Then continues down to Canary Wharf and Greenwich ... or go off toward Limehouse, on the River Thames ... then take a boat back to the West End. Or have you thought of walking along the banks of the Thames, not just for a few hundred metres, but for kilometre after kilometre? Or why not save a lot of bother and get AD to guide you?
• RIB-boat
  River Thames Tour. Why not make more use of the River Thames? Fast Clippers run regularly between central locations such as the London Eye or the Embankment and Canary Wharf (about a 30minute journey). For something more exhilerating, try the even faster RIB tour boats: voted as one of the ultimate ways to enjoy London. You want more? OK, how about a helicopter flight over central London? Prices start with the public Clipper (£4.80 on an Oyster card), go up for the fast private boat (@£33 per person). Or try a slow boat, perhaps going up stream. Or how about a helicopter – at about £500 for a 4-seater, 1 hour ride? Prefer a bicycle? There are a number of central London places that will hire you a bike for a maximum of £20 per day (about £25 per weekend) and, from the summer of 2010 there is a London bicycling scheme available (6000 bikes for hire), like the ones in Paris, Barcelona, etc.

For further information, inquiries and quotations please contact: lrobinson@architecturaldialogue.co.uk

Clients and comments

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• groupone3
  "Once again on behalf of Niels Torp Architects I would like to thank you for a fantastic tour you gave us over the past three days, and all the orginisation you put into it. The feedback from my colleagues is that it was the best study trip we have ever had, so thank you very much." Neils Torp, Oslo.............."Once again thank you very much for the tour [...] We have enjoyed it very much. My colleagues and I were very impressed with the way you could in a simple scheme tell us the history of London." SAB Amsterdam..............“As a group of architects being taken on an architectural tour of London we were always going to be a rather cynical crowd; however upon returning from their tour my colleagues were in raptures about what a fantastic afternoon they had been given. Ken (Allinson) had entertained them, shown them nooks and crannies of London they had never set foot in before, and their knowledge of the city had been thoroughly tested. This tour delivered exactly what we had hoped for. Many thanks for an absolutely superb afternoon." TP Bennett LLP..............
• grouptwo
  "It was a very good arrangement you made for us last week...So good that I want you to do it again if its possible!" MANL, Norway............."Thank you very much for organizing such an interesting visit this morning for Mr [...] and [...]. I know for a fact that they found it very enlightening and a great source of inspiration for their project." Attachée aux Affaires publiques, Délégation générale du Québec à Londres..........."After a wonderful weekend in London we would like to thank you and especially many thanks to Ken who did a wonderful guided tour on Sunday." I.G, Museum of contemporary art, Schaffhausen, Switzerland............."I’d just like to thank you for providing us with such an interesting and informative view of the river; it gave us all a different perspective on how London has developed." Holder Mathias, London............."Everything went really well, Thanks to you!" Kingshill, Moscow..............."Thank you very much once more for your great support and the interesting tour that you provided together with your colleagues." Hansgrohe, Germany...............

AD has had many clients over the years. These include: Aargauer Kinsthaus Aarau; Agency for Real Estate and Urban Renewal, Municipality of Oslo; Agence Culturelle pour la Promotion de l'art Contemporain; All In One Tours Ltd; AEA; Allies and Morrison; Alukonigstahl; Aker Kværner AS; Aktion; Akershsus Eiendom; Akershus fylkeskommune; ARCASA ArkitekterAS; Arcadia University USA; Architecture Academy of Norway; Archus Arosia Arkitekter; Architekten and Ingenieurverein e.V Koln (AIV, Arkitektene Astrup; Architektur Lokaal, A-tre Arkitektur; Arkitekt Senteret; Architecturmanagement; Arkitektgruppen Heineman; arkitektgruppen lille frøen as; American Institute of Architects; Architecture Academy of Norway; Armstrong; Art Institute of Chicago; Asahi Chemical Company; Association of Building Physics Denmark; Association Genovoise D'Architects (Alicante); Arhitektenkammer Baden-Wuttenberg; Architekturburo WGK; Associazione Ingegneri e Architetti di Modena; Austin State University; Austrian Trade Mission (London); Barcelona School of Architecture (ETSAB); BASE Arkitekter ANS; Bank of Moscow; Bauforum GMBH; Bauhaus-Univeristat Weimar; Beat Rothen Architektur; Bennett; Berning Schulter Hald; Bond van Nederlandse Architecten; Biesterbos Planontwikkeling bv; British Broadcasting Corporation; British Council; British Steel, BUWOG; Building and Real Estate Department of the Hong Kong Polytechnic University; Building and Equipment Life Cycle Association of Japan, Bund Deutscher Arkitekten; Camden Arts; Carlstedt Arkitektkontor; CAUE de la Dr&ocircme; Cellcom; Chicago Architecture Foundation; Chang-Jo Architects; Circolo Trentino per l’Architettura Contemporanea; Collegi d'Arquitectes de Catalunya; Conseil National de Ordres des Architectes Bourgogne; Consideritdone; CoreNet Event, City of London Festival; Contekton; Contemporary Arts Society; DKA Business Solutions; Department of Trade &amp Industry, Design Net Works; Designfunktion; Eiffel Construction Metalique; Enerhaugen Arkitektkontor AS; EPF PACA; Fondation de L'Architecture et de L'Ingenierie; FFNS; Claudio Forti Architetto; Dutch Ministry of Housing; ENOSH Systems; Fondazione Architetti della provincoa di; Formica Taiwan; Fulton travel Ltd.; German Press Group; Global-Link; Greenwich Decorative and Fine Arts Society; Giuliani Architect; HADFAS; Halmstad City Council; Hansgrohe; Heidrick &amp Struggles; HJS Arkitektkontor AB; Hofbauer Architectsa-Tre; Hahn & Holder Matthias; Hopten; IMd Raadgevende Ingenieurs; Interface Deutschland GmbH; Interoper; Johnels & Kingshill Media Group (Moscow); KIINKO Real Estate Education; KLC School of Interior Design, Immobilien, KOW Architectuur; Kunsthaus Aarau; Kuntsthogskolen I Bergen; LAFRATTA S.r.l.; Leonardo da Vinci; Link-Akitektur; Locum (Stockholm); LPO Architecture & London Ladies Club; LS Arkitekter; Lusparken arkitekter AS; Maison de L'Architecture Drome; Malmo City council; Mirk Architects BNA; Municipality Promotion Association of Hokkaido;Moberg Sodera; Neils Torp Architects; Neumann &amp Partners; Museum of Modern Art Switzerland; Norske Arkitekters Landisforbund; Nyborg Commune; Ø KAWAS Arkitekter MNAL; Odd Slyngstad Sivilarketekter AS; Opsal & Gabrielsen; Oslo Planning Department; Orag Osterreichische Realitaten AG; Ordine degli Architetti; Ordres Des Architectes Luxembourg; Osterreichische Realitanten-Arkteigesellschaft; Oxford Brookes University; Øystein Thommesen AS; Queens University Belfast; Parallel Architects; Paumier; Premium UK; PROMOSEM Paris; Ramboll Danmark; db Redaktion; Royal Institute of British Architects; Riverside Business Centre; Rockwell Luxury travel; Rotary Club of Southampton; Royal Institute of Australian Architects; Royal Society of Ulster Architects; SAI (Tokyo); Sandoz, Savvy Club; SBS Copenhagen; Stedebouw & Strasbourg City Council; SCHUCO, Sovereign Tourism Ltd.; SCET Network; SERS Ville de Strasbourg; Silja Tillner; Skjern technical College; Sohne GmbH; Institute of Spanish Architects; Steele & Co.; Swiss Engineering Corporation; Swiss Institure for Art Research; Suter & Suter; Steelcase Strafor; Tampere Council; Tectum (Antwerp); Tentrup Pflanzen GmbH; Tidee Amsterdam;Tyrens, Swden; Ukranian Architectural Academy; Unisor Sacilor; University of Agder; University of Bonn; University of Michigan; Vaardal-Lunde AS; van aken architecten; Venera; Viaggi Piu; Vieler; Viajes Orienta; VM Trade; Vrienden van het Nederlands Architectuurinstitut; Ian Walton Associates; Welsh Opera House Board; WDR; Weickenmeir Kunz &amp Partners; Westdeutscher Rundfunk K&oumlln; White Arkitekter AB; and many others, including individuals.

"My husband and I had the pleasure of having you show us around the contemporary architecture of London [...] It was a wonderful experience." LS, New York City.

"Many thanks for organising the visits yesterday; another very valuable programme for the BBC which led to some terrific discussions." Head of Design, BBC Property.

"After a wonderful weekend in London we would like to thank you and especially many thanks to Ken who did a wonderful guided tour on Sunday." I.G, Museum of contemporary art, Schaffhausen, Switzerland .

For further information, inquiries and quotations please contact: lrobinson@architecturaldialogue.co.uk

Architectural Dialogue encourages standard half-day and full day tours in addition to bespoke tours tailored to your requirements. These have the option of using public transport or travelling by coach. Costs will be similar but reflect the nature of the client's preferences for internal visits, contacts and other special arrangements. Please use the contact form below to make an enquiry. In particular, ensure you tell us about the number of people, interets, preferred mode of transport, etc.

Bespoke tours:most of our tours are adapted to suit the client. You may have special interests or simply want our advice on what to do and how to programme your London visit. Please fill in the form below and mail it to us.

For further information, enquiries and quotations please use the form below or contact or administrator: class="p7HGM_panel_content">lrobinson@architecturaldialogue.co.uk

Please note: Architectural Dialogue Ltd., acts only as agent for the client in acquiring transportation, hotel accommodations, sightseeing and other privileges, or services for the clients’ benefit, and on the express condition that Architectural Dialogue Ltd. shall not be responsible for any loss, accident, injury, delay, defect, omission or irregularity which may occur or be occasioned, whether by reason of any act, negligence or default of any company or person engaged in or responsible for carrying out any of the arrangements, or otherwise in connection therewith. Architectural Dialogue Ltd. shall not be liable for any injuries or any damage to any client or be subject to any claim, demand, injury, or damages, whatsoever, including without limitation, those damages from acts of passive or active negligence on the part of Architectural Dialogue Ltd., its officers, employees, or agents. Client does hereby expressly release and discharge Architectural Dialogue Ltd. from all such claims, demands, injuries, damages, actions or causes of action. Client acknowledges that he/she has carefully read this paragraph and fully understands that this is a waiver and release of liability